Friday, April 24, 2015

The Sexiest Man Alive, 1982 Edition



Seriously, Adam Ant (he's the one on the left) was The Sexiest Man Alive (Montag Edition)  in 1982.

I think the Ant may have started to jump the shark by the time he recorded "Strip" in 1983. There's a little too much Adam on display in this one--I don't mean skin-wise as much as I mean mugging-for-the-camera-wise with a lot of flashy "dolly birds." Not my thing, obviously.



I'm also not sure that this song stands the test of time in the way that "Ant Music" or "Desperate But Not Serious" do. It may pass muster musically but lyrically it just seems like such a comedown from those tunes. Again, the transition from punk to new wave to mainstream is in evidence. Get on your Honda scooter and ride.

But "Strip" will always hold a special place in my heart ever since I discovered that the female voice-over in the middle was done by none other than Frida Lyngstad from ABBA.

All hail Frida! All hail The Ant!

Thursday, April 23, 2015

Those were the days, my friend



. . . We thought they'd never end. We'd sing and dance forever and a day . . . .

Was there ever anything sexier than Adam Ant? No.

Except for Adam Ant and Grace Jones together in an ad for a Honda scooter that no one even remembers nowadays. Who was the market for this thing, les jeunes de Paris? Except in New York and Chicago, you wouldn't stand a chance on the street or in street cred on such a scooter in the U.S.

Honestly, nobody did devil-may-care, fancy man, naughty Bond villain, and sexy beast with Apache face paint and Burundi drums better than early '80s Adam Ant. Viva Le Ant!



Good lordy, could we use an Adam Ant today. The entire punk and new wave movement should be on standby throughout history to perform periodic cultural bust-ups: To unplug the jukebox; to force us all to try another flavor.

As much as I wax on about the '70s and early disco culture, by 1978 or 1979, things really did need to change, and change they did for a little while.

But then they went back to the beginning again. When did punk become as stylistically slick and predictable as disco? When everyone started calling it new wave? When Adam Ant and Grace Jones did a Honda scooter commercial? When some girls from one of my last classes at university starting telling me how much they loved Duran Duran and thought that made them edgy? Not in 1983 it didn't.

Then again, even early '80s Duran Duran had more substance than the stuff that was getting played and "rocked out" to in my college town's downtown bars back in the day.

The funny thing is, I don't think even the rawness of punk or the danger of new wave could break through the capitalist culture logjam we find ourselves in today.

Monday, April 13, 2015

It's in the tea leaves

Editor's note: I began this post last summer (2014) and have finally decided to resurrect it, revise it, and publish it. Better late than never.

* * *

With the demise of so many American "daytime dramas" over the last few years, I've been pleased to keep my soap opera jonesin' at bay by tuning into serial (melo)dramas from other countries and cultures.

Back in the day (the 1980s), I used to watch the UK soap EastEnders when they showed it on various PBS stations around the nation. I even remember watching some episodes of Coronation Street on the USA Network waaay back in the early days of cable TV, when I think the networks were trying to fill up their schedules with anything and everything.

I half-remember Dierdre being depressed and about to throw herself off a freeway overpass. So even drab-looking British drama from 1981 had a place on the dial.

On trips to the UK, Australia, Mexico, and elsewhere, I've also watched soaps--for the campy fun, yes, but also for cultural understanding. (Honest. I think soaps are a great way to get a glimpse at a culture's dreams and fixations.) I liked mid-2000s Corrie when Cilla Brown was front and center and Sally Webster was having an affair with her boss (formerly Alistair from As Time Goes By, later Stefan Hauser from Footballers Wives) at the car dealership. I've enjoyed Dulce desafío, Emmerdale, Simplemente María, Tú y yo, and, of course, Egoli: Place of Gold. I've even tried to find an online source for 7de Laan, as well as Virginie.

I periodically watch reruns of Dark Shadows on HuluPlus, a show I remember with fondness and fear from childhood. As detailed recently in these digital pages, I think about crazy fun Santa Barbara (a soap like no other, past, present, or future), mid- to late-'70s Another World, Texas, early '80s Guiding Light, the vaguely remembered opening credits for The Secret Storm, and other shows I used to watch along with my Mom, Vivien Leigh, when I wasn't even old enough to go to school, pre-1967.

I've always drawn the line at The Young and the Restless and General Hospital, the former too boring, the later too silly, for my refined soapie tastes.

And upon first, then second, then third glance, I also drew the line in a big, showy, Baz Luhrman way at Neighbours, a world-famous Aussie soap, one I've seen in the past (both in Australia in 1987 and on a trip to England in 1993) and now in the present via HuluPlus.

Vivean Gray as Mrs. Mangel
I must admit that I drew only a soft line in the sand upon first seeing Neighbours in 1987. I was secretly trying to get a glimpse of soap supercouple Scott Robinson (Jason Donovan) and Charlene Mitchell (Kylie Minogue), but I ended up being oddly fascinated with the character of Mrs. Mangel, a Dot Cotton-prototype busybody who would read tea leaves and screech out dire warnings. "It's in the tea leaves!" she would proclaim.

Funny that that one line should stay with me almost 30 years later. I even mentioned it on a date of all things some eight years ago, and, well, I was still very much single for another two years after sharing that remembrance. A word to the woebegone: If they can't tolerate your personal tastes, naff or otherwise, they're not worth getting to know.

When I tuned in in 2005, I don't remember much at all. I can't even tell you whether I was watching Neighbours or Home and Away, another Aussie suburban melodrama. That should tell you how unimpressed I was with either/both.

Now that Neighbours is currently airing on HuluPlus, I've had another opportunity to check in with the 30-year phenomenon that is life on Ramsay Street, Erinsborough, Victoria. When I first drafted this post, Neighbours was running bout a month behind broadcast in Oz. At that time, I had seen approximately three weeks' worth of shows. And these three weeks' worth of episodes had managed to make me both bored and annoyed--but mostly just annoyed.

Here are some of my observations from the early days of my reacquaintance with Neighbours:
There are a squillion other characters, most of them under 30, yammering on about skateboarding, the pool, the beach, coffee bars, and their love lives. Most of them blond (natural, etc.). All of them whiter than white, making semi-dramatic pronouncements in the most obnoxious versions of Australian accents. Think Kath & Kim, not Nicole 'n' Hugh.

First of all, I've met plenty of Aussies that don't sound like they were playing extras in a barbie scene from Crocodile Dundee. It's completely possible to be Australian and not sound like you're about to issue forth with a "call me Cobber" or "fair dinkum" in your speech--although one character (the perpetually tear-stained Sonya) went full Sheila recently when she thanked another for "shouting" her a free massage. Wagga Wagga. Tassie. Flinders Station. Indeed.

Second of all, not everyone in Australia is of the pale persuasion, although heritage and sunscreen do make many so. I do remember during the three weeks I spent there in 1987 that I was ultimately glad to get home to Washington, D.C. I do think certain places--like Australia, like Canada--tout their multiculturalism more than it might warrant. Yes, it's new to you, but some of us have been multicultural (whether by choice or by force) for the better part of three centuries. And I'm not just talking about the U.S.--Mexico, South Africa, Colombia, Cuba, Brazil, even New Zealand can stand up, proudly or otherwise, and be counted.
That's about as far as I got, obviously quickly getting lost in an outback of opinion about various and sundry. I just remember being annoyed by Sonya's constant crying, annoyed by Naomi's yesteryear attempts to seduce Toadie (seriously, a character named Toadie!), annoyed by Kyle's bogan accent and style, annoyed by Brad's winged hair and Marlboro Man walk, annoyed by Imogen and Amber's whinging, annoyed by Bailey's nascent alcohol abuse (and rather fabulous hair--credit where credit is due)--just annoyed by pretty much everything and everyone on the show.

The only bright spot then was the character of Paige Novak, later Paige Smith, played by Olympia Valance (sister of Holly Valance, a former Neighbours star herself). Absolutely fabulous and totally watchable, not because she is very beautiful (which she is) but because of her character's verve, gutsiness, trouble-making, and overall joie de vivre. Everyone else paled in comparison.

I can't remember what happened next, but I think I gave up on Neighbours for a few weeks. I don't really remember what drew me back in, but I think it was the conclusion of the storyline about Paige being the secret daughter of Lauren and Brad and the subsequent fallout from that big reveal. Somehow that hooked me. And once that did, I kept watching and began reevaluating my initial impression of other characters, other stories, and the show overall:
  • Sonya stopped crying and became interesting once I saw her feistier and more fun-loving side, then her battle with her addiction demons from the past.
  • Naomi became just a helluva lotta fun and much more sympathetic once she moved to the end of her stalker-like behavior toward Toadie and began her Mrs. Robinson-styled affair with the young and spunky Josh. You learned more about the regret she felt for having made such a huge mess of things in her life and the very real, very unrequited feelings she had for Toadie. I especially like the episode when she visited Toadie in the hospital. For me, she has become one of the best reasons to watch the show.
  • Kyle and Georgia got married and while Kyle's still a bogan, he's a bogan with sensitivity and depth of feeling toward Georgia and over his missing-in-action father. Kyle and Georgia's wedding and the swell of emotions surrounding that was a thing of daytime beauty.
Nate Kinski  played by Meyne Wyatt
  • I still find Daniel and Amber super annoying, but recently I even came around to appreciating Amber just a bit, during her reactions to believing that she had been abandoned at the altar by Daniel and in the aftermath of her father's accident.
  • And I love Nate! Not only is he sexy, he's an engaging actor--his post-traumatic stress disorder storyline had me quaking, sniffling, and recalling my father's struggles with the same condition. It is hard for me to imagine any American show, daytime or otherwise, dealing with this topic, especially with sensitivity and real compassion. To my knowledge, he's the first regular aboriginal Neighbour to join the cast, so finally, one big little step into the diversity pool.
There have been missteps: The whole Erinsborough tornado seemed gimmicky and resulted in very little drama. I can't really get into Naomi's relationship with Mark Brennan, mostly because I find Mark judgmental and self-righteous (although admittedly impeccably ab'ed). I loathe even more that that relationship may end with Naomi moving on to Paul Robinson, possibly having her literally become Mrs. Robinson. Call me Dolce & Gabbana, but I couldn't care less about Chris's quest to become a father by serving as a sperm donor to "I must be a mother at all costs" Lucy Robinson. I thought Matt's downward spiral was too rushed and not necessarily true to the character.

Overall, I've been less keen on the Neighbours 30th anniversary storylines, much of it feeling (understandably) contrived and probably more meaningful to the lifelong fans than to me. Nonetheless, I enjoyed the Harold and Madge reunion and wanted more. That sort of tender, emotional interaction between characters is what Neighbours does best, in my opinion.

At the end of the day, I now look forward to catching a new episode of Neighbours. It's become my preferred soap, even over Coronation Street. I think others, too, must be enjoying the show because recently via Hulu we've gone from being four weeks behind Australia to just two weeks behind, on par with the UK schedule.

* * *

Things are changing in my life--for the better in many ways. (Details to be revealed soon.) I've been a little bothered to think this may mean that I won't be able to watch Neighbours anymore via Hulu. It's not going to change my life plans, but the fact that it even rises to the surface of my mind when contemplating major life events is a testament to how much I enjoy this show.

As odd as it sounds to say out loud, I think I need a soap in my life--an minor daily escape, a dream of an alternate universe that offers me the chance to feel a range of emotions--from sadness to wistfulness to satisfaction to titillation to laughter. I don't need a soap so that I'll cry or wallow in emotions, although I don't think those are necessarily bad feelings to have. Rather I need a soap to help me take out some time at the end of a busy day, to relax, to relate, and to fantasize a bit about living in a community with others who care about me. Given their domestic nature, soaps acquaint you with their characters' daily lives, making you feel, fleetingly, that you're watching a story acted out by friends.

Admittedly, they are friends with more happening lives, better hair, and a superior muscle-to-body fat ratio. Fantasy can only go so far.

I'm glad that I gave Neighbours another chance. I'm happy to have the show in my life right now to meet my needs. In my future life, regardless of where I live or what I watch on TV, I hope to have good neighbors for many years to come.

Sunday, April 12, 2015

Astronaut problems

Views of the extravehicular activity during STS 41-B
by NASA, 7 February 1984; public domain
Some of my contributions to the recent hashtag game #astronaut problems on the Tweety.
  • None of the Starbucks in orbit around Mars has a drive-thru.
  • Man's first walk on the moon? More of a skip, actually.
  • Installing software upgrades to H-A-L 9000 causes more problems than it solves.
  • Only you know how much of a complete dillweed Neil Armstrong can be
  • What's for dinner? Borscht in a tube every damn night aboard the international space station.
  • No matter who's the last to use it, the toilet seat always stays in the up position.
  • Even in space, you can't escape spoilers for MadMen, The Walking Dead, and Game of Thrones.
  • Every morning at breakfast, John Glenn arriving at the table in red bikini briefs emblazoned with the words "The Right Stuff" in a most inappropriate location.
  • Absolutely nothing ships to the moon via Amazon Prime.
  • Really sick of bands breaking into their rendition of "Major Tom" whenever you walk into a nightclub.
  • Having to constantly say on first dates: "No, I cannot introduce to Commander Chris Hadfield."
  • Constantly being asked if you used to do porn in the '70s due to style and size of your mustache (Commander Chris Hadfield only).
  • Still bothered about Laika. 
  • You actually can't freebase Tang in space (no fire due to lack of oxygen) (very old, very inappropriate joke). 

Saturday, April 11, 2015

Separated at birth: Ted Cruz and Mummenschanz

Ted Cruz speaking at CPAC 2015 in Washington, DC
by Gage Skidmore; CC BY-SA 3.0


Luckily for Mummenschanz, they can change their face at any time.

For this post, I created a label for "Ted Cruz." I suspect I'm going to be using that a lot this coming election season.

Why the snark toward Cuba Badding, Jr.? Read this

Now I could be generous and say that Ted is not referring specifically to gay people as the wagers of jihad against a narrowly defined, exclusive, and self-anointed Christian America--instead perhaps he is referring to all those who stood up against the recent "religious freedom" laws passed in Indiana and Arkansas, straight, gay, and otherwise, alike. (Although I'm sure Ted's bi--as in binary--and can't necessarily fathom the B and the T, let alone the Q, the other Q, the I, or the A, the LGBT spectrum--and truth be told, my head kind of explodes a little once we get past the T.)

Alas, I just grabbed this off the web
like a vulgarian
Nonetheless, it is awfully charged language very early on in what promises to be a 2000- or 2004-styled presidential campaign: No clear leader in the race coupled with simmering resentment that things have gone "too far" with gay rights, discussions and protests over economic and social inequality, heightened awareness of lingering racial discrimination, and "socialism" (aka, anything that's not Ayn Rand-influenced capitalism). Add that to a feeling of disenfranchisement among some (perhaps justified in some cases--poor to lower middle class whites--but not in others--upper middle class to wealthy whites) et voilà! You got yourself one humdinger of a powder keg waiting to blow.

And along comes Teddy with a lit match in the form of jihad-loving gay folk.

Once again, as a gay man, I am alternately the most powerful, dangerous force in the universe, and somehow simultaneously the weakest. How does that keep happening?

But enough of this whining: Let's turn the tables a bit.

Dearest Ted Cruz, your presidential campaign so far is like an ISIS beheading of a humanitarian aid worker. Your pandering to the lowest common denominator among the right-wing electorate is like a Boko Haram kidnapping of the under-14 female population of a Nigerian village. Your antagonistic belief system is like an Al Shabab car bombing in a crowded marketplace.

Oh, and your face? Genocide, pure and simple.

I don't know that I solved anything with that diatribe, and I do feel a tad guilty for making fun of someone's looks, something they can do little about.

But, Ted, you started this mess by throwing down the rhetorical gauntlet and throwing up whatever hate speech was in your gut. So pardon me, all, if I choose not to play nice.

* * *



Good analysis of the issue by the Young Turks.

Saturday, April 04, 2015

Fairly across the Mersey



What's your favorite drink? The Mersey! 

Well, I didn't have the lyrics quite right, but I did remember the sketch more or less--French and Saunders parody of '80s-'90s British pop star Sonia.

The actual lyrics are--
I'm gonna close my eyes and count to ten/before I fall in love again
Straight out of the Stock-Aitken-Waterman catalog. The sound of a bright young Britain.

Sophisticated, singer, Liverpool, great, Scouse, indeed.

* * *



And while we're at it, a little more F & S, a little more S-A-W, a little more bright young Britain . . . and Australia.

Thursday, April 02, 2015

Got to be certain



This Kylie Minogue song has been stuck in my head all week. Now it's your turn.

I think the tune is undeniably catchy. I don't think Kylie quite sounds like herself, the way she does even just a few hits later on songs, such as on "Never Too Late" or "Better the Devil You Know." In fact, I even wonder if this is her singing--I wouldn't put it past ol' Stock-Aitken-Waterman to bring in a scab vocalist to better "package" the song.

Nevertheless, it's still a fun song, perfectly designed to launch a mid-'80s Aussie soap star's pop music career. Although when hearing the tunes during this first calculated blush of La Kylie's career, I can't help but think of that S-A-W parody that comedy team French and Saunders did ages ago:

I turn around and count to ten/And then I fall in love again
That could have been massive, my friend.

Now for the video. Oi.

The best part for me are the shots of Melbourne, especially the one of her walking along the Yarra River near the Royal Botanic Gardens (again, another mid- to late '80s adventure of mine) and the one where she's walking near the harbor. I'd like to think this is St. Kilda, which I've visited as well, but probably not. I also like the part where Kylie rides the carousel, mainly because of the way the the horse "bucks" or vibrates and how it matches the song's synthesizer riff. Made for each other.

Now as for the rest . . . good lordy. Historical fact: Sometime in late 1987, the term "hot mess" was coined to describe the rest of this meshugas.

Our Miss Kylie has always been a crowd-pleaser, but she was at her most saccharine sweet, her most teeth-rotting, cheesecakiest best/worst at this time. That mugging for the camera conveying a fantasy of I'm-just-a-girl-next-door-who-gets-to-model-hip(?)-clothes-and-make-videos--it is all too much for the bullshit detector to handle.

And the clothes. Well, I'm almost speechless about the clothes. They seem to be trying way too hard, but to do what exactly? It's like they are purposefully funky in a pre-tween girl way but aren't nearly interesting enough to convey any sense of fashion or style. I mean, really that green-and-magenta shiny Jolly Rancher pukefest of an outfit worn along the Yarra River scene. Fashion. Crime. Against. Humanity.

And the hair? Gurrrl. I know Australia's a long way off, but surely they were able to import hair conditioner every now and again or at least make their own using leftover convict labor.

A lot of these excesses should be forgiven though. It was the '80s after all, a decade revered for its "modern" style but, when it comes down to it, by 1987 or so had completely run out of ideas--but, alas. not shoulder pads, bric-a-brac, and that damnable triangle form to every outfit.

All should be forgiven. But is not forgiven.

Anyway . . . another '80s Oz highlight? Return to Eden. You get just the opening credits for now and eventually a fuller exploration of one of my favorite trash TV shows ever in a future blog post.

'Struth.

Wednesday, April 01, 2015

Need a hearing aid tonight

"Смоленская церковь" [Smolensk Church]
by Антон Денисенко [Anton Denisenko].
Own work. Licensed under CC BY-SA 3.0
via Wikimedia Commons

This is what I learned yesterday:

In the INXS song "Need You Tonight," the opening line is as follows--

"All you got is this moment."

It is not, in fact--

"In the gardens of Smolensk."

As I have thought it was for the last 25+ years.

Blame it on a mid-'80s trip to Leningrad and a then-obsession with Russian culture. I could swear there was a Smolensk cathedral in St. Petersburg. Things were opening up in the Gorbachev era, so I just figured that Michael Hutchence, international jet-setting rock star, had been there and had been inspired.

This is what I thought about yesterday. And, yes, this is what I learned yesterday.

It was the only thing I learned yesterday.

* * *

My memory is not as faulty or confused as first feared: There is indeed a Smolensk church and cemetery in St. Petersburg. And look at the blue! The colors of Leningrad buildings are one of my favorite memories from my life of sporadic travel and adventure.

* * *

And why not give credit is where credit is due?



The late great Michael was certainly "sex on a stick" (as I think Kylie Minogue once described him). This doesn't mean that I wanted to sample his charms; I actually always thought he was rather a Sybarite--which is, as best as I can determine, ancient Mesopotamian for scuzzbucket.

He always struck me as the kind of guy who, well, *would* try auto-erotic asphyxiation--though I would have wagered he was expert enough at it that he wouldn't have accidentally killed himself in the process. So maybe it was suicide after all. Having to deal with The Prick Formerly Known as Bob Geldof would be enough to make anyone take his own life, I would imagine.

Regardless, Hutchence was a major pop talent who I'd love to see alive today, still singing, still performing, still creating, still dating the world's top models.

Miss you tonight, Michael.