Saturday, December 31, 2011

One more for the road

I couldn't let the year end without one final word--or note, as in musical note.

As you can no doubt tell from browsing earlier postings, I really like music. Of many shapes and varieties. Lost in the shuffle of postings and the fierce and forced scheduling of the season, I mentioned recently that I've been trying to work on some music projects this fall (and now winter).

I did finally finish my "hot and cold" mix, which I hope to post here shortly. Thank you to my two-week-plus winter crud for the inspiration.

Today, in lieu of writing and recording the intro to that podcast, I did manage instead to finish up another project, my "Smells Like Young Adult Spirit" mixtape, featuring multiple versions of Nirvana's "Smells Like Teen Spirit." You can find that above. I hope you enjoy.

There's some narrative as well, about grunge, Nirvana, Kurt Cobain, and Dave Grohl, along with some conjecture about possible inspiration for that early Nirvana sound.

Here's a preview of what you'll hear, sort of.



Gang of Four, one of my favorite "post-punk" bands of the early '80s, performing "I Love a Man in a Uniform." I was post-punk when post-punk was cool but was simply filed under "new wave."

On the accompanying podcast, you'll hear Gang of Four's "Call Me Up," which really does remind me, musically, of early Nirvana. But I couldn't completely ignore "Man in a Uniform," one of my favorite songs from the era. Lyrically edgy and musically jagged. The perfect combination.

But, Holy Capezios, is that Deney Terrio from Dance Fever introducing the group?

I can't fathom the clueless booking agent that stuck the hyper-political Gang on something as see-through as Fever.

But I would marry him or her nonetheless.

Sunday, December 25, 2011

All that glitters


Poor Mariah Carey. Her movie career was even dissed by the Pope. Ten years after the fact, but still, sad . . .

Nevertheless, while glitter (not the movie) may hide the meaning of Christmas, apparently red Prada shoes and Serengeti sunglasses just raise you up closer to God.

Really sad . . .

Saturday, December 24, 2011

Jesus loves you . . .


But Newt Gingrich and Rick Perry? Not so much.

No, all I want for Christmas is sound-proofing

Up on the housetop, squeak, squeak, squeak.

It's almost Christmas, so what better time than now to discuss the neighbors' boinking again?

Last night, the eve of Christmas Eve, my neighbors were in exceptional form, at least if the incessant and prolonged (as in more than five minutes) squeaking of the bed may be considered any indication of quality. I was just about to turn in myself, but then, upon hearing the tell-tale tattoo of love's labors, decided to return to my TV set and enjoy Meredith Baxter Birney shooting her lover in the head for the holidays on the Lifetime Network.

Sorry . . . my rich fantasy life at play . . . the movie had far less gunplay than that. Dammit.

Speaking of rich fantasy lives, I do have quite a wealthy one, but it is in no way augmented,  encouraged, or satisfied by the shenanigans above my head. First of all, if I were interested in anyone in this pairing, it would me the male, uh, member, and he is very much a silent partner in this entanglement, saving all of his vocalizing for daytime hours when he's yelling at the kids.

Plus he is not my type--and pretty much everyone is my type--but then again, I, a cranky, bald, 50-year-old who has apparently become a very light sleeper, is probably not his type either.

But there are other reasons for me not to be engaged by the pairing upstairs.

Let's talk technique for a moment: I am spared any evidence of foreplay. Or perhaps there just is none? I cannot discern. Nor am I particularly keen to, I hasten to add. But the discovery of another man who lacks a sense of fun and foreplay always producing a sense of disappointment and mourning in my heart.

To ensure marital happiness, I might play Secret Santa and place a coupon for 50% off at Adam and Eve or some other online "marital aids" shoppers' paradise. But, let's face it: I don't want to foster more marital happiness. I'm not sure my delicate nature can handle that.

Plus I fear that if a vibrator became involved in the lusty labors, it would sound like a hydraulic jackhammer blasting through my ceiling.

So no.

But I digress . . .

Back to technique. Lack of a proper appetizer aside, we move on to the main course, which consists of some very rapid-fire bed-squeaking, intensely accomplished (I'll grant you that, dear couple) for five to ten minutes. This is occasionally accompanied by additional acoustical warbling in the contralto range, but nothing too excessive or even interesting. There are children and pets sleeping nearby, after all. Not to mention wide-awake neighbors.

After about five to ten minutes of beat-the-clock squeaking and then everything comes . . . to an abrupt and quiet end, which is accomplished (if one could label it that) without warning or arpeggio. This sudden end is immediately followed by the shower being turned on in the bathroom. After a few minutes of showering, both parties are reunited in the marriage bed, where, depending on the hour, the machine gun-like ratatatat of bed-squeaking may or may not resume.

The only persons in our world who must get a good night's rest are children and pets because none of those creatures ever stirs when the 'rents get freaky upstairs. No, all is calm, all is bright, except directly above my head. The sound-proofing between rooms is obviously exceptional. Between floors? Not so much.

I'm dreading tonight, Christmas Eve, and, good god no, New Year's Even is just around the corner.

Not sure sound-proofing will fit in a stocking, Santa, but new earplugs or noise-canceling headphones most definitely will.

Wednesday, December 21, 2011

All I want for Christmas, really, I mean it this time


Now if only I knew Sven's address.

All I want for Christmas is my dignity, my manhood, and a regular-guy's fashion sense

Also spotted at the Target in East Liberty. Seriously, hasn't Ken suffered enough shame, abuse, and ridicule over the years at the hands of Mattel, Barbie, and little white girls the world over?

I swear I've seen that outfit before. Now where could it have been . . . ?


That's it! Speck Rhodes wore a version of it on the ol' Porter Wagoner Show in the 1960s and '70s!

Tuesday, December 20, 2011

I'd rather dance



My "latest" musical discovery was actually released in 2004--"I'd Rather Dance than Talk with You" by Kings of Convenience.

Such a lovely pop song and an especially charming video. How did I ever miss this? I heard this for the first time this morning on my way to work on WYEP, Pittsburgh's only alternative yadda yadda yadda. Actually, Pittsburgh has a couple of "only alternatives," including the college radio stations at the University of Pittsburgh and Carnegie Mellon University.

Anyway, I don't know much about the group or their other music, except that Kings of Convenience hale from Bergen, Norway, also home to Annie.



Both Annie and the Kings are further proof, in my opinion, that, at the moment, the best English-language pop music in the Western World continues to emanate from Scandinavia.

Care to challenge me over this point? A pox on your Swedish meatballs! May Santa leave nothing but lutefisk in your stocking this Christmas! I hope your Saab gets beaten by an old Volga and a Daewoo in the first NASCAR race in Finland! I hear Steven Spielberg's going to remake all of Ingmar Bergman's films--in 3-D!

And other assorted (and nonsensical) faux-Nordic insults.

Justin 3:16

Because God so loathed the world, he gave us, the one, the only, Justin Bieber.

Spotted at the Target in East Liberty, Pittsburgh. In the seasonal department hereby known as "Christmas in Hell with Justin Bieber."

All in all, you have to hand it to the toy designer, as it is an amazingly accurate replica of La Bieber.

Oversized head and hair? Check. Check.

Generic Old Navy wardrobe? (or since he's from Canada, maybe from the Roots Outlet in Niagara Falls, Ontario?) Check.

Solid, molded plastic body and demeanor? Oh, yes, definitely check on that.

"Bieberconda" in tow? (What can I say? I've read about such things on the Intertubes.)

Actually, that I did not check. And I can't say that I feel too saddened by that missed opportunity.





Sunday, December 18, 2011

I'm not a celebrity, but get me out of here anyway

Kylie Minogue as photographed by Prince Charming; available here.
Last night's strangeness: I dreamt that I was trying to "make it," i.e., be more artistically creative and hopefully successful in the next phase of my life, a thought that has gone from simmer to boiling over in my mind over the last couple of months (the mid-life crisis doth continue . . .).

In the dream, I was trying to put myself out there as an actor, writer, singer, musician, something creative and big and showy and fame-inducing. I was showing my portfolio of work or abilities or what-have-you to Kylie Minogue (of all people), a pop star I've admired in the past (but not necessarily in the present). Truly, there is no accounting for taste, mine or anyone else's.

After examining my work for a period of time, she stopped, looked me square in the eye, and remarked, "Look, the problem is, it's just not very good. I don't think you have what it takes to make it."

Needless to say, I was crushed. In the dream I remember thinking, if a lightweight like Kylie doesn't think I have any talent, then I'm truly hopeless.

And then I woke up.

* * *

I blame it all on The Graham Norton Show. And Chris Kattan's brief appearance on Saturday Night Live last night. And Twitter. And Christopher Hitchens. But we'll get to those.

For now, let's focus on Graham Norton and his guests, then see if I have the energy and time for the others in this little Sunday midday diatribe.

Almost without fail, as much as I try to like them, Mr. Norton and his panel of low-wattage British and high-voltage American celebrities always manage to piss me off.

As to why I get so irritated by the show, I would guess some of it comes down to this: The attention-seeking behavior, sarcasm, and general mean-spiritedness of the host and particularly his British guests. Often it seems to me that he and his guests act like they're so incredibly fabulous and wonderful and clever and smarter than everyone else, particularly anyone not British or anyone not a British celebrity.

Ferchrissakes, you're a celebrity in Britain! And it's not the 1960s or the 1980s, when Brit cool was everywhere and you were able to export yourselves around the globe with pride and good reason. No, instead, you've maybe appeared on EastEnders or Casualty or Strictly Come Dancing or X Factor or Masterpiece Theatre special, and that's about it. Not too shabby for as far as it goes, but it doesn't go that far. And it certainly doesn't mean you have "arrived"--except perhaps that evening at Broadcast House in a taxi. Trust me, no one outside the UK or Ireland has ever heard of you or gives much of a flying fancy-the-luck.

The snarkiness exhibited on The Graham Norton Show seems to me to be a very London approach to the world, but it is an approach I have seen elsewhere in the world, particularly among the self-satisfied and newly monied. Because The Graham Norton Show takes place in the UK, I'm sure the ass-holier-than-thou attitude is a class thing, but it's that awful kind of urban egotistical and aspirational behavior you see in New York, Washington, San Francisco, Toronto (oh no, my Canadian friends, there is no escape for you), and other parts of the developed world, Former British Colony Edition. Too much money, too eager to try to erase the fact that you're just as unfabulous and uninteresting as the rest of us. Been there, done that, bought the overpriced t-shirt. A couple of them in fact.

And yet, these "well-regarded persons" get up on stage along with Graham and smarm and snark and smirk their way along about their marvelous, clever, and successful careers and how "hard" it was for them at school when they couldn't handle a "proper" or "boring" job and wanted to be an actor, singer, TV presenter, what-have-you, growing up in Lower-Snivelsfield-on-Toast, County Bumfork.

Which is exactly the approach taken last night by part-time singer Alesha Dixon (who you've never heard of) and Eddie Izzard (who you no doubt have). Good lordy, you play pretend and dress-up for a living (quite literally in Eddie Izzard's case)!--how damn "hard" can it be?

The previous week's episode was much the same, with the gracious, humble, but, nonetheless, with questionable taste in wives Antonio Banderas on the dais, alongside of the somewhat bemused-but-all-not-that-amused Salma Hayek, and this British excuse for a comedian, Jimmy Carr, whose schtick seemed to be, "treat everyone in the room as if they were stupid; that will show how clever I am."

Which apparently in the UK equals comedy gold.

Graham Norton. Borrowed with CC permission from here.
I can deal with someone being bemused and befuddled by the world; I can even deal with the I-detest-everybody-and-everything-among-us approach to comedy. There's a lot, in fact, to detest. But the absolute contempt with which Mr. Carr held everyone in the audience, at home, Salma Hayek (he made fun of a thumbs-up hand gesture she used after she told a story about something silly she had once done), and even someone from the audience who admired him ("Well, good for you," Carr retorted in ironic deadpan, then gave a "Who does this cretin think he's impressing?" mug to the camera). Gah. Such an (up)tight little island.

I'm losing you, I'm sure, but here's another case in point that might help shine a UV light on my phosphorescent venom: There's this segment on the show where they have someone from the studio audience sit in this big chair in another room. (Why? can't the non-celebrity breathe the same air as the Anointed?) Via two-way TV, Graham talks with the lesser-light and has him or her tell a story about something funny that happened in his or her life. If Graham and his guests like the story, they are invited back into the studio and onto the dais with the celebs for about 5 seconds at the end of the show. But if Graham & Company vote down the story, the non-celebrity is ejected backwards, that is to say, Graham pulls a lever and the non-celeb is sent arse-over-tea-kettle in the chair and out of the picture.

The studio audience and Mr. Norton and his guests seem to love this. But, really, why is this funny? Despite their rejection, sometimes the stories are quite funny and charming. One older woman last night was rejected after telling in monotone this wonderfully intricate shaggy-dog tale about driving into a wild animal park with her family, having a bear attack the car, having her husband *open the window* to throw peanuts out the car to distract the bear, having the bear rip off the sideview mirror, and finally escaping the bear enclosure, only to decide that they needed to retrieve the sideview mirror ("because what if they police stopped us and asked where our sideview mirror was?") and return to the bear enclosure to attempt to find the sideview mirror, which they were unable to do.

It was a stitch, and she told it in a really charming, low-key, half ironic-half unironic way. But about halfway through, Graham hit the eject button and sent her flying. Only after the audience and some of the panel complained did Graham ask her to continue, "approve" her tale, and invite her onto the dais--a moment they failed to show in the broadcast.

I understand that a major tenet of comedy involves laughing at the misfortune of others. But doing so isn't very sophisticated. Nor is it very mature. Both of which seem to be characteristics that the host and the panel are trying to convey.


It's not that the show is all that highfalutin'. I mean for goodness sakes, I've seen Jason Donovan, Chesney Hawke, Lorraine Kelly, and Barbara Windsor (twice) on this show. Pitiful. Just pitiful.

I suspect the idea is to provide the audience with an hour-long glimpse into a shiny, happy, celebrity-laden cocktail party. But the opposite result is achieved. There are these weird segments from time-to-time, some involving audience participation--"everyone reach underneath your seat and pull out--that's right!--a dildo!" Others involve celebrity participation--"because he played Zorro and Puss in Boots, let's do amateur swordplay with Antonio Banderas!" They make the whole affair seem like episodes of Romper Room hosted by Joel Gray's character from Cabaret or The Mike Douglas Show as produced by Bob Guccione.

* * *

So why exactly did all this spawn my strange, I'm-not-worthy dream? Well, I'll try to figure that out in a more satisfactory manner in Part Two of this diatribe, available soon. It's 1/3rd written, so it should see the light from Rudolph's nose before Christmas.

But for now, let's say that my dreams of "doing something" in the next phase of my life need to be better defined. I want to be heard, to make my mark, to write, to give voice to my thoughts and interests, to be more and consistently creative, and, yes, to find an audience. And more power to me.

But if The Graham Norton Show or Chris Kattan or Twitter or Christopher Hitchens are the measures of contemporary success, I think it best to include me out.

Stay tuned . .  .

Sunday, December 11, 2011

Just jump in the pool already



Please choose from the following:
  • One of my favorite pop songs. Ever.
  • One of the most underrated bands of the 1980s. Ever.
  • One of the dumbest videos. Ever.
  • An explanation for part of my profile text.
  • All of the above.

Class dismissed.

It might work!



I don't always like Kristen Wiig's characters on SNL (although I thought she was comedy platinum in Bridesmaids), but this one, flirting expert Rebecca LaRue, had me rolling.

Did you remember to call your girlfriend?


Well, I did.

Robyn performing on Saturday Night Live, 10 December 2011.

You can find the video for this song (but not this performance, alas) here.

Such a bargain!

And yet, even at 50% off, I still can't be arsed to read this.

My biggest amazement at seeing a copy of this on the shelves? Well, heck, who knew you could now craft a lying sack of shit and venom into a book-like object.

Actually, truth be told, I was tempted to buy a copy. Then take said copy out into the woods, get drunk, and shoot it in the face with my hunting rifle.

Just for giggles.

And, by the way, Dick, you got that title right: In My Time.

As in, your time--the Cold War, the 1950s, the Vietnam era, the Nixon and Reagan reigns of error--passed a long time ago. It's just that you wouldn't let go of it and somehow convinced and coerced a nation to believe you still knew what you were talking about, long after you ceased to be relevant.

Bravo, I guess.

Saturday, December 10, 2011

Wanted!

Another blast from the past, UK family group The Dooleys with "Wanted." I loved this song in the late 1970s. I'm sure my hairbrush (looooong since retired) could tell a few tales of my singing this song into it while watching myself perform in the bedroom mirror. Alas, I was the world's most tragic teen.



My questionable coolness aside, it never ceases to amaze me how truly fugly '70s hair, makeup, and clothing looks nowadays. Having said that, oh to return to a time when you could be appreciated for your talent and not your military-like approach to personal grooming through vomiting, surgery, and crystal meth.

But what, me bitter and old? Say no.

Il n'y a pas de mystère



It's a sunny day here in da Burgh, sunny but cold, below freezing in fact. But, honestly, I'm not complaining. Sunny, cold days in Pittsburgh are all-too-rare, as too often here it is cold in the winter but not sunny at all. Instead, it's gray, unremittingly gray, in sky and in spirit. And it can be wet in the fall and the spring and, in fact, throughout the year. But during the winter, when that frozen water falls from the sky, it does so in a dry, powdery form, a snow that is great for skiing and snow-shoeing. In theory.

In reality, there rarely seems to be enough of it. Oh, it snows. And snows. And snows! But it often doesn't accumulate until January and February, and even then, it snows and snows and snows (did I mention that?), but the amount received is out of proportion to what falls from the sky.

Difficult to explain--and I've had four winters of trying. Essentially, it drizzles non-stop during the winter. It's just that the drizzle is in the form of snow. Follow me?

I often describe a Pittsburgh winter--which usually starts in November and lasts until early April--as being akin to living in the bottom of an old, deep, abandoned well. And instead of rescuers dropping a rope down the well to secure your release, some jokester insists on sprinkling a large box of instant potato flakes overhead, just to give you that snowglobe effect. Jokey as that may be, no one's laughing. Especially not me.

Why I live here is indeed a mystery, but until a new career path reveals itself or the man of my dreams whisks me away to parts unknown, this is where I am. Have kitty litter, shovel, and ice-scraper, will travel.

* * *

A sunny, cold day in Pittsburgh does allow me to do what I do best: Dream of other places. And when I dream of anywhere but here, I find myself feeling wistful for Montréal, a city I adore (which sounds kind of pretentious, "j'adore" and all that, but there you have it) and one where I've passed a lot of wonderful times over the last couple of years.

Admittedly, I have spent more spring, summer, and fall times in Montréal, not winter ones. Despite my physical and psychic groaning over the thought of another winter approaching, I would love to visit la Belle Province during Montréal's "Nuits Blanches" or Québec City's winter carnival, just to experience it and see, maybe just maybe, whether I could cope with a real Canadian winter and make the leap from here to there.

And never look back.

So what brought on that reverie, other than a lovely almost-winter's day? It was a revelation of another sort, the resolving of a musical mystery that has been forty some years in the making.

And the answer is "Les Montréalais" ("The Montrealers") by French-Canadian singer, musician, and actor, Louise Forestier.

Now what was the question?

By way of background, it's a question that was formed in the early- to mid-'70s, when I used to listen to Radio Canada International on my shortwave radio. Remember my posting and podcast about signature tunes and interval signals from a couple of months ago? Well, I promised a follow-up, and the discovery of this tune may be the inspiration I need to keep my word.

"Les Montréalais" was a piece that was used for a period of time as incidental music on the English-language broadcasts of RCI during the mid-'70s. The piece--an odd, wonderful mélange of acoustic and electro--was played at the end of the broadcast, between sign-on and signature tune (the first four notes of "O, Canada"). It's a piece that I have loved ever since I heard it, but until this last week, I never knew what is was called, who it was by, or whether it was even memorable to anyone else.

I've searched for it intermittently over the years. But how do you search for a sound, a song with no lyrics and limited vocals, something that you heard forty years ago? Even Canadian friends couldn't help with this one, especially since I couldn't describe it, sing it, or even hum it properly.

Recently, while browsing around the web and the various CBC/Radio-Canada sites and archives, I stumbled across the homepage for "Maple Leaf Mailbag," the question-and-answer program on Radio Canada International. There was a web form that invited questions, and on a whim, I thought, well, why not? What could it hurt? It's cheaper than the airfare from Pittsburgh to Montréal, that's for sure.

Within a week, I received a pleasant message from a friendly gentleman in Audience Relations saying that he would investigate. And just a couple of days ago, I received a follow-up message, with the mystery of forty-plus years finally resolved, the answer at last revealed, and the link to the YouTube video attached.

So please enjoy this little 2 minute-and-46-second blast from my past.

In the meanwhile, I'm going to be greedy and redouble my efforts to find another mystery song, one I used to hear on shortwave radio stations from Central Europe during the mid-'70s. It was a slice of Teutonic disco à la Silver Convention, featuring a breathy female vocal singing over and over again, "Fly high butterfly" (or "fly, fly, butterfly"?) with a male voice intoning dramatically in harmony, "Butterfly!"

And, no, it's not "Fly High Little Butterfly" by Arabesque.



What can I say that I haven't already said about my dodgy musical tastes? I can say this: My criteria for musical satisfaction often consists of the mood conveyed, nostalgia, and whether it has a good beat and is easy to dance to.

While it doesn't extend necessarily to Arabesque, hum a few more bars and don some costuming that makes you look like an exploding Christmas cracker, and you just never know . . .

Wednesday, December 07, 2011

I just can't cope without my soap

I've been trying for months now to write an homage (a love letter, a mash note) to All My Children and One Life to Live, two of my favorite soaps of all time and the latest two to be canceled. (AMC left the airwaves in September; OLTL is scheduled to depart in January.)

But I'm all tongue-tied, all multiple stages of grief, all momentarily high-on-a-mountain-top, then dashed to the rocks below. (Very "Widow's Hill" from Dark Shadows, circa 1967, I might add.)

Which is odd because one of the reasons I wanted to start writing a blog again was because I wanted to find a way to express myself over some of pop culture I have been absorbing since "the big life change of 2011" (job, love, life--all exploding like cheap fireworks at a street fair located too close to a PEMEX station) took place earlier this year.

But for whatever reason--it's too emotional, I'm too easily distracted, I lack the mental capacity to explain it all for you--I just haven't been able to say what I want to say about the soaps.

This article by Sara Bibel does get part the way there, though.  Bibel's a former soap scribe who now blogs on pop TV culture, especially the soaps (daytime and nighttime editions), for the Comcast network. I really like her voice: She's proof that you can be an intelligent person and enjoy the soaps, get them for what they are but also understand what lies beneath the surface, in terms of plots, characters, the American TV industry, and life as we know it. I don't always agree with her take on everything, but I'm about 95% there, more than I can say about most writers and most people. Let's just say that if I could do it all over again, I'd turn the clock back thirty years and become a soap writer--or Sara Bibel.

Her comments on Tuesday, 6 December's episode of One Life to Live, in which the characters are caught out obsessing over their favorite fictional soap, Fraternity Row, only to find out at the end of the episode that it's been canceled . . . well, please read it for yourself, even if you're not a huge fan of soaps. It explains a lot about why the shows mean a lot to many of us and why their cancellation and the imminent demise of the genre from American network TV is so unsettling.

I'm not so good at explaining why the soaps matter to me and to others, but I will say this: The soaps are not just the sum of their plots and their hairdos. Yeah, sometimes it is all a bit silly--I think any soap fan who doesn't take it all too seriously would agree with that statement. But at other times, the shows, when done right and with integrity, are highly engaging, addictive, satisfying, and just a lot of fun in an un-ironic way.

They're a visual page-turner, your favorite beach read or poppy melodrama come to life--on videotape, not film, with nice-looking people providing emotionally fulfilling moments, conveying the idea that kindness between family and friends still matters, and expressing your secret wish that everything will turn out fine when all is said and done. All delivered with some great laughs and a few tears and fears along the way.

The soaps are like American life (or at least American TV life) before cool and business decisions got the better of everything. Remember when?

* * *

I've never liked every soap--just the ones that get canceled, apparently. Ba-dum-bump.

Dark Shadows, The Doctors, Texas, Santa Barbara, Another World, Sunset Beach, Guiding Light, All My Children, and now One Life to Live. They've all come, and now they're almost all gone.

I especially never cared for General Hospital. I couldn't tell you why exactly. Maybe it's because I'm not really a fan of hospital dramas (except ER and St. Elsewhere, which I mostly liked) or mob wars (which is now mostly what GH is about). General Hospital just seemed like a very '80s, Los Angeles-based soap--lots of pretty people attempting to be clever and fabulous with some really dumb plots. Luke and Laura and The Ice Princess? For pity's sake.

That was the beginning of the end, as far as I'm concerned. A lot of soaps went the same route--to extremes. I feel like when the history of American soaps is written (by me, of course), that will be the modern era's jump-the-shark moment.

That and a few too many people coming back from the dead.

But despite my deep, abiding loathe for GH, I do recall this song with more than just a chuckle.



Tuesday, December 06, 2011

Smells like middle-aged spirit

Nirvana around 1992 by P. B. Rage (Wikimedia Commons)
Editor's note: You can now hear a podcast of the mixtape I made in honor of "Smells Like Teen Spirit."

* * *

Another mixtape I'm working on is more of a compilation of songs. Or, rather, one song: "Smells Like Teen Spirit" by Nirvana, which was released as a single (they still existed then, at least on CD) twenty years ago this past September.

Hard to believe! I was a mere lad of 30 when the song was released, which, merely uttering that sentence makes me want to cry. Not for the late Kurt Cobain, no, but for my tragically unhip and past-it youth. In September 1991, I had just moved away from Washington, D.C., moved back to my home state of North Carolina, and was trying to figure out what to do with the next phase of my life.

Within less than two years, I was in graduate school, and within less than four, gainfully employed in Texas. 

Within three years, Kurt Cobain was dead.

That was an incredibly long time ago that somehow seems to have passed in a less than a nanosecond.

Anyway, I never really got the same thrill over "Smells like Teen Spirit" or Nirvana that many others did. Perhaps at 30 I was already too old, mentally if not physically, to get it/them or to appreciate it/them. (A close friend of mine, 24 in 1991, also told me he felt too "old" for Nirvana at the time.) In fact, the whole grunge movement just kind of escaped my understanding and interest. Maybe because I was no longer in D.C. I missed all the grunge "culture," but you'd think, living in a couple of college towns at the time, I would have picked up more of it, even only by accident.

But, feh, the '90s are kind of blur to me these days. Plus I look really dopey in plaid flannels.

Fashion aside, the "problem" with grunge for me was twofold: (1) I'm only moderately fond of guitar-based music; (2) I'm even less enamored with skinny white-boy rock-and-roll, then and now.

I know, I know, very shallow of me to dismiss a whole era and an ethos in that way. But grunge never had, at least to me, the sheer nerve and verve of '70s punk, and certainly not the drama and glamour of early '80s new wave. Which from the reading I've done (limited as it may be) may be the point--grunge was music made by the alienated for the alienated who, by their very nature, were too inured to their alienation to take action.

"Smells Like Teen Spirit" being a case in point, at least if this article in Wikipedia can be believed: Even apparently Kurt Cobain described "Teen Spirit" as a song about the idea of revolution but one that makes fun of the idea of revolution, although "a revolution is a nice thought."

In contrast, Dave Grohl, in the same Wiki article, is quoted as saying that he doubted that "Teen Spirit" had any meaning at all.

Having said all that, I have come to appreciate, well after the fact, the sonic power of "Smells Like Teen Spirit" and some other Nirvana songs. I also like how Dave Grohl shows up in the unlikeliest and goofiest of places, giving Nirvana a much better sense of humor than I would have expected.

And, yes, it was sad that Kurt Cobain felt so hopeless that he killed himself. Very sad indeed. I'm not one of those people to go off on what "a loser" he was for killing himself. Indeed, if you've never been that depressed or hopeless or bereft, congratulations. Count yourself incredibly lucky and/or blessed. May you be spared much pain in your life.

But I also avoid referring to pop stars' early deaths as "tragic" and "senseless," while we too often ignore the pain and hurt of those women and men that form a part of our more immediate sphere.

Anyway . . . bitching aside, here's to Nirvana, Kurt Cobain, and "Smells Like Teen Spirit." You had your moment--and look, it's a moment that has lasted for 20 years and counting.

* * *

Below is my short list of versions of "Smells Like Teen Spirit." Can you recommend other versions for me to add?
  1. "Smells Like Teen Spirit" by Nirvana
  2. "Smells Like Nirvana" by Weird Al Yankovic (but of course)
  3. "Smells Like Teen Spirit" by Patti Smith
  4. "Smells Like Teen Spirit" by Paul Anka (seriously, it's a lot of fun)
  5. "Smells Like Teen Spirit" by The Bad Plus (this really wonderful, off-kilter jazz combo from Minneapolis)
  6. "Smells Like Teen Spirit" by The Muppets
  7. "Smells Like Teen Spirit" by Tori Amos (if I have to)
  8. "Smells Like Electro Teen Spirit" by Dsico
  9. "Atari Teenage Riot" by Atari Teenage Riot (features a sample of the guitar riff from "Smells Like Teen Spirit")
I know there are also other versions and variations by the likes of Pansy Division, The Moog Cookbook, The Flying Pickets, and The Melvins featuring Leif Garrett (!), but I haven't yet heard those.

Monday, December 05, 2011

Mitt-piphanies

Photo by c.berlet/publiceye.org; courtesy of Wikimedia Commons
An afternoon's worth of random musings about Mitt Romney, former governor of Massachusetts and current candidate for the Republican nomination for the 2012 U.S. presidential election. (Or some such.)

Trust me, despite the constant score updates for the current political dodgeball game in progress, I try to think about Mitt as little as is humanly possible. But Mitt is almost refreshingly creepy/crappy compared to the hideous shitty-ness offered up in heaping, musky piles by the likes of Michele Bachmann, Rick Santorum, Ron Paul, Newt Gingrich, Rick Perry, et al. (John Huntsman doesn't offend me--yet--but practically no one's heard him speak.)

* * *

After posting on Facebook last night that I was mock-horrified to see ol' Mitt on the cover of Parade (the magazine that arrives as an insert in your Sunday newspaper, at least if you live in the U.S.) in blue jeans and a blue-and-white checked shirt (very baseball, hotdogs, apple pie, and Chevrolet, n'est-ce pas?) but still with that vulgar, it-came-from-the-'80s oiled hair à la Michael Douglas as Gordon Gecko in Wall Street, a friend pointed out to me that Mitt has a son named Tagg.

Tagg? WTF kind of name is Tagg for a kid, no matter how to-the-beehive-manor-born and oleaginous his father might be? As yet another friend quipped, "Did the Romney family use the same baby-naming book as Sarah Palin?"

Tagg. Gah.

Why not tattoo the word "PUTZ" on the child's forehead as a babe, toss him out of a moving vehicle, and let him fend for himself?


Which got me to thinking--does everyone in Mitt's family have a one-syllable name with a vowel followed by double consonants?

Tagg, Nett, Mitt, Sott, Rutt, and sometimes Kytt?

* * *

I find it kind of funny ha-ha and funny strange, too, that only now am I starting to hear the dreaded "flip-flopper" label applied to the Generously Anointed One. Maybe I wasn't paying attention or maybe the Repubs figured that this time the alleged taint of Mormonism (please, like any of the Protestant or Catholic candidates have any reason to be sanctimonious about their beliefs) wasn't going to rub off and rub out Mitt's chances at the polls.

So, now, finally, Mitt's naysayers have whipped out their giant spatula and are making like a pancake with the flip-flopper label. Tee hee. Too late.

First of all, duh. When Mitt was governor of the Bay State he was pro-abortion and pro-gay rights, perfectly in line with the majority of the Commonwealth's populace. Now that he is running for POTUS (twice, no less), he's agin' both. Perfectly in line with the rabid-and-likely-to-vote members of his own party and assorted independents and probably a number of silent-but-deadly Dems as well.

But no duh. I think Mitt's record on the issues just goes to prove that he has no record on the issues. In other words, Mitt's no flip-flopper. You have to be able to flip in the first place in order to flop.

* * *

Despite this needling, ribbing, poking, and many other descriptions that probably sound dirty to most Republican candidates, I sorta kinda feel sorry for the Mittster. In these moments, when I think of Mitt, I'm reminded of a joke my North Carolina frenemy Spencer likes to tell:

Q. What does a pretty Southern Belle say to let all the gentleman know that she is "in the mood"?

A. "I'm drunk, y'all!"

Q. What does an ugly Southern Belle say to let all the gentleman know that she is "in the mood"?

A. "I SAID, 'I'm drunk, y'all!'"

That joke may improve when you hear me do it in dialect or when you've had a little to drink yourself. But you get the idea. No matter how many times or how loudly Mitt tells everyone that he's drunk, no one, I repeat no one, wants to see what's under that hoop skirt.

'Cause I suspect Mitt is mostly just flop.

Sunday, December 04, 2011

It's beginning to look a lot like Christmix

'Tis the season for mixtapes. Thus, I'm getting my Christmas jollies by working on a new mix, something I haven't done in ages--and something I haven't found an easy way to share via Blogger quite yet. (But, oh, I'll keep trying.)

There's no particular criteria for this one, meaning that the songs do not need to be holiday-themed or some such. I can do those and have done so before and, when I get a spare mo', I'll post a playlist I did a year or so ago for my friend Expo.

This is more of a true mixtape, that is to say, the songs are linked together by beat, sound, or rhythm. So, I take it back, there is one criteria, and that is that the songs need to have a danceable BPM, which for this unnamed, unfinished mix is about 120 beats-per-minute. A good party groove, not too fast, not too slow.

I started off with Manu Dibango's "Soul Makossa" as the lead song, but so far it's not fitting into the mix so well. It may make a reappearance, but for now the mix in the works is definitely pop in orientation.

Here's the playlist so far--
  • Little Boots - "Stuck on Repeat"
  • Agnetha Fältskog - "One Way Love" (Razormaid remix)
  • Bobby Orlando - "I'm So Hot for You" (discussions of one's sexual fever--always appropriate for the holidays)
  • Sarah Love (aka Sara Lumholdt formerly of the A*Teens) featuring Milano - "Glamour Bitch" (again, so appropriate for the season; I know the term "glamour bitch" is what I think of whenever I see those commercials where 1% trash buy each other Lexuses for the holidays)
  • Annie - "Hey Annie"
  • The A*Teens - "Floorfiller"
  • Deborah Harry - "In Love with Love"
  • Cut Copy - "Need You Now"
OK, so there's music by a Brit, one Latino Americano, one New Jersey American, some Swedes, a Norwegian, and a couple of blokes from Oz. Maybe I should call this the "Hot & Cold Mix"? Then most definitely Mr. Dibango could make a reappearance, along with some other, more north and south of the Equator sounds.

* * *

To get you in the mood, here's Sarah Love and Milano performing "Glamour Bitch."



OK, so this is kinda paint-by-numbers hip-hop-pop (sexy female voice, suggestive lyrics, Brooklyn-accented rapper), but it is very catchy and clever, too, imho. It should give you a taste of what to look forward to or flee from, as you wish.

Saturday, December 03, 2011

The vinyl solution


One from my friend Øresund, who has excellent taste in music (often in agreement with mine--ha!):
The worst album covers ever created? from photographer Steve Carter
Feel free to pick your favorite--or whatever the opposite of favorite may be.

I have a few I like (in a perverse way) in particular:
  • Latin '80s rentboy-goes-to-hell Tino's cover for his solo "piece," Por Primera Vez. "Por Primera Vez" translates as "for the first time." From the look on Tino's face and this angle of his hips and crotch, methinks otherwise. But nice legs, Tino, all the same.

Tino - Por primera vez

  • Heino's Liebe Mutter. Even Mike Myers at his most Dieter-esque wouldn't be this perverse. It's like Norman Bates as played by a David Lynch extra shows up on your doorstep on Mother's Day--whether you're a mother or not--in need of some maternal bonding or bratwurst or both. "Bitte, Mama, give me your wurst." Brrrr.
  • Any and all of the gospel or family oriented groups (the Sherwood Singers, the Cooper Family, the Amason [or is that supposed to be "Amazon"?] Twins), who look like, in lieu of a marketing and costuming budget, were given a Kenmore sewing machine, some Simplicity patterns, yards and yards of old polyester, and an old Polaroid camera, and told to go at.
  • Cante Gitano by Argentina Coral. "Gitano" means "gypsy" in Spanish. I think the citizens of Argentina owe a huge apology to the Roma people for this album cover.
  • A Taste of . . . . I leave the rest for you to, uh, savor.
And there are more. So many more.

Please, I beg of you, never let my obituary read like this


From CNN's U.S. edition on Friday, December 2, 2011: "Deliverance actor Bill McKinney dies."

But of course, that's not the worst of it. No. While it might be tragic enough as an actor to be best known for a role played nearly 40 years ago, to add pain to your posthumous honors, CNN leads with this teaser on the front page: "'Squeal' actor from Deliverance dies."

Squeal. As in, "like a pig." Yes, folks, that's how CNN--and I'm sure the estate of Mr. McKinney--would like you to remember the actor: As the man who anally assaults poor Ned Beatty's character, requesting in the process that he "squeal like a pig."

Thank heavens that my career is so unnoteworthy that I am unlikely to be remembered in this way. The limited pleasures of anonymity.

Some day, I may have to try to watch Deliverance again. I'm sure there must be a point to it, other than this horrific scene, which I recall watching through my fingers and never venturing much beyond this moment in the film's, uh, thrust.

So the point is . . . man's inhumanity against man? Scratch the surface of civilization, and we're easily transported back to our more primal selves? There's little that separates human beings from animals? (Figuratively, literally.) Country livin' ain't fer sissies? Never date a hillbilly whose opening line is "yew shore got a purty mouth"?

I'm sure there must have been some point to it.

While I'm scratching my ass--oops, I mean, my head--over that, in the meantime, I'll just stick with watching Paula Deen and her boys cook up some grub on the Food Network. That's about as close to "Southern primal" as I dare to get these days.

Friday, December 02, 2011

Ma-ma-ko, ma-ma-sa, ma-ko-makossa!




"Soul Makossa" by Cameroonian saxophone superstar Manu Dibango is probably one of my favorite songs of all time. It's perhaps somewhat of an obscure song to claim as a favorite--an Afrobeat tune from the very early 1970s that somehow managed to make the charts in the U.S. and to become noted as one of the first disco tunes. Even though I was just a wee nipper, I do recall hearing the song on the radio circa 1972 or 1973. And I remember being captivated by it. In some ways, it was a song about as alien to me and my culture as was possible at the time.

Growing up, our house was always full of music. My Dad's Maybelle Carter and the Carter Family records, Jim Reeves, and the Grand Ol' Opry on TV. My sister's Beatles records, from which there was no escape. My one brother's sensitive singer-songwriter types (Emmett Rhodes anyone?), and my other brother's Southern rock ("Jim Dandy" by Black Oak Arkansas and Ruby Starr, among many others), which we all enjoyed, the late great era of Muscle Shoals boogie bands.

And then there was me, the gay one, with his yen for soul, disco, and Europop. On long road trips in the '70s, I must have been the only white kid south of the Mason-Dixon line bopping to Barry White, the Ohio Players, and the Miracles.

So, in other ways, "Soul Makossa" wasn't that alien to me. I'd already learned to appreciate the groove, the exquisite joy of rhythm, dance, and funk. Lyrics were important to the era as well--might I suggest listening to John Legend and the Roots' Wake Up, an homage to '70s black consciousness pop?--but a tune like "Soul Makossa" doesn't need to be understood word for word. The sound of Manu Dibango's voice, the musicality of the African language in which he sings and chants, and that smooth, laidback chorus of back-up singers intoning "Hey Makossa," all combine wonderfully to make a stellar pop record which, to me, transcends time, language, genre, and culture.

In short, if you fail to be moved--literally or figuratively--by "Soul Makossa," I do begin to wonder whether you are indeed a sentient being.

I don't think the original is what disco became known for, what it evolved into, all 4-on-the-floor beat, swooning strings, and frothy vocals. Instead, "Soul Makossa" is where disco started and might have gone, if it had stayed more underground, more alternative, and less cokespoons-and-cheap glamour. The song, with its transcendental pleasure, its worldview, and its unmistakeable sensuality was what disco was all about anyway, but got hopelessly lost along the way.



So flash forward to 2011 and Mr. Dibango has rerecorded "Soul Makossa," this time with up-and-coming UK pop artist Wayne Beckford.

Now I'm highly wary of remakes. Whether in film or music or what have you, most of the copies are light and faded in comparison to their originals.

However, with "Soul Makossa 2.0," I think Dibango and Beckford get it right. They don't try a note-for-note remake of an unremake-able song. Instead, it's more of an homage to the original with updates for the present day. And yet those updates--in rhythm, in lyrics, in singing style--complement the original, rather than overwhelm it or alter it beyond all recognition.

Is it as good as the original? Well, I guess I would say it is what it is, a version 2.0, so it's not a remake of the original, but rather a reinterpretation. I think musically it's still a very exciting, intriguing song. Lyrically, well, it's now intelligible to me in English and while the lyrics aren't embarrassing or insipid, let's just say that maybe something is lost in translation--that something being the more mystical, transcendental quality offered by *not* understanding the original language.

Still, worth a listen and worth owning.

With some skill, you can find this new version on iTunes U.S. Look for the album Festival International - Nuits d'Afrique Compilation 2011 (25ième édition).

Oddly, I could swear that a month or so ago, I saw the Manu Dibango album, Past - Present - Futur, from which this song is culled, slated for release on iTunes. But zut alors, now it's gone.

* * *

And speaking of things you can't find on iTunes, here's one by Wayne Beckford that I particularly enjoy, musically and visually.



My goodness, how can you not love a funny but rather cringe-inducing line like "This girl is making a big explosion/like the Taliban." I now want a trio or quartet of Beckfordettes (the Montaguettes? the OnFireMajorettes?) to follow me wherever I go, serving as a R&B chorus to my Greek lifestyle (i.e., too much debt, not enough austerity).

Ha. Seventies soul for a Naughties + Ten reality.

Thursday, December 01, 2011

Give me (another) break

Sorry, Montag has needed another break this week. A head cold don't you know.

I promise to be back in the business of pop culture and sarcasm very soon.

Saturday, November 26, 2011

My Christmas is ruined!

After getting dribs and drabs, bits and bobs, all day yesterday, I made a point last night of watching the 11 o'clock news. I had to see how some members of our citizenry had conducted themselves during the Black Friday orgy.

Oh my. "Bread and circuses courtesy of Caligula" doesn't even begin to cover it. More like gunshots and cannibalism.

All I can say is that after watching the holiday shopping report, I realize that am I not only tardy in my gift-buying for family and friends this year, I'm also extraordinarily behind in my targeted pepper-spraying of random shoppers for the sake of bargains on consumer electronics.

Shame on me.

Friday, November 25, 2011

My Black Friday shopping list

I got up early today for Black Friday shopping. I just had a few items on my list, but I wanted to get my shopping out of the way early, so I could enjoy the rest of the holiday weekend and to beat the rush at the emergency room due to all that "freestyle" bargain-hunting.

Here's my list:
  • The new CD by Bachmann Turn-him Overdrive featuring the greatest hits of noted Minnesotan songbirds, Michele and Marcus Bachmann. Features one hit, their version of "It's Raining Men" by the Weather Girls, performed in a continuous loop for 60 minutes. Guaranteed to turn him one way or another. Note: The state bird of Minnesota is the Common Loon.
  • The Ch-Ch-Ch-Chia Grow-a-Spine Kit for Democrats. You're supposed to be able to rub the seeds starting up your backside to the base of your cerebellum, add water, and within 4 to 8 years a spine will grow in place where one has never grown before. Be careful not to start too low with the seeds 'cause you just end up growing a pole up your ass (i.e., that's the kit for Republicans). I was told that this product has yet to be introduced into the marketplace.
  • The Rick Perry Book of Brain Teasers. Such a bargain! A sheet of notebook paper listing two federal government agencies. Figure out the third one and you, too, might be eligible to run for president. 
  • The Ron Paul Surprise Package. One unadorned box of crazy. You must provide your own box, built from your own supply of raw materials, with absolutely no government support or interference. If that box ends up being built from a combination of plutonium, rabid alligators, and caustic fluids, well, too bad for you . . .
  • The Newt Gingrich Moral Compass. Out of Stock. I was told this has been on back order since at least the 1970s.
No money down now. You'll pay next year.

Happy holidays!

Tuesday, November 22, 2011

Another Middle Eastern crisis, another reappearance of Ivan Watson

And his hair.

This is a photo collage from a few weeks ago (not that I'm obsessive or anything); video from CNN International this morning showed that the floppy bits on either side of the part had actually gotten longer.

I'm still trying to figure out that cut. It perhaps is an easy 'do to deal with on the road and in war zones, requiring a minimum of muss and fuss and "product."

Nevertheless, those wings are a might distracting, Ivy. I keep wanting to send donations of barrettes to the Save the Ivan Watson Hair Foundation. A little more product might help here. Just sayin'.

Or something more. Surely there must be a Supercuts on the main drag in Gaza City or a Hair Cuttery off of Tahrir Square, no? For the love of all that is sacred in the Middle East (and there's quite a bit that is sacred, actually), please, one words, two syllables: Brylcreem.

A little dab'll do your 'do, dude.

Sunday, November 20, 2011

And the trophy for the world's longest awards show goes to . . .

The American Music Awards, which is like the elementary school field day of awards shows.

Apparently, everybody gets a prize no matter how good or bad they perform.

The original version of that joke was far more tasteless and, alas, far funnier.

I'll leave you with these thoughts--

The Remember to Lead with Hips Award goes to Adam Lambert, who sauntered onto the stage like Jane Russell in Gentleman Prefer Dongs. Or Rosalind Russell. Or maybe Nipsy Russell. Let's just call him Nipsy Rose Lambert from here on out.

J.Lo vs. the Fiat 500: Just cut to the chase--drop J.Lo and put the Fiat in the sparkly dress, then teach it to sing and dance. It's a toss-up whether she or the Fiat will turn out to be the more reliable performer.

I missed Christina Aguilera's dress, all 800 yards or 3 inches of it, depending. A friend on Twitter remarked that "it was just a shade White Trash."

Well, so's Christina. The Belle of Western Pennsylvania and all that.

And with that, good night, dear readers!

Rough housing, indeed

Lessons learned from the neighbors redux:

You, too, can reenact a WWE smackdown event in the comfort of your own bedroom(s), living room, dining room, bathroom, etc.

Oh, I *wish* there was some real rumbling going on. I would so call the cops or the landlord and have the whole bunch carted off to Attica circa 1970.

But alas, no, it's just "rough-housing." Not horseplay, thank you, Jesus.

Has there ever been a more inadvertently appropriate descriptive term? Housing doesn't get much rougher than this.

T minus 1 day and counting until I get the chance to view my (fingers crossed) new apartment . . .

African beer



"Umqombothi" by Yvonne Chaka Chaka. The video shows what I would imagine to be a traditional South African "shebeen," or (alcoholic beverage) watering hole, which, interestingly, Wikipedia compares to a Southern U.S. juke joint.

Umqombothi is a type of beer, produced in South Africa.

This song makes me ready for a long holiday weekend. But not a ritual circumcision. (See the article.)

Saturday, November 19, 2011

What's so funny?

"Obama is a socialist," says Rick Perry, according to a headline from CNN.

And Rick Perry is a dumb ass says Montag. And legions of others, I would imagine.

One thing I have tried to do in this new(ish) blog is not write so much about politics, or at least not write so seriously about politics. I really felt that sometime between summer 2009 and earlier this year I lost my way, not to mention by sense of humor. As did the rest of the country.

It's been a rough go over the last couple of years, for me and for our little First World hotspot, with some good happening but some bad as well.

The good (at least for me): In summer 2009, I spent 3+ weeks in Montréal, Québec, studying French, something I had never formally done. (Spanish was my second language and has served me well over the years.) In these pages, you'll see a lot of homages and shout-outs to France, Québec, and French and Francophone culture. I enjoy French-language pop, particularly that made in France and Québec, and I'm trying to learn more about customs, heritage, history, and language of Francophonie.

My time in Montréal was sort of a paying-the-piper moment. After hanging off French culture for many a year, I figured it was time that I actually learned some French. And while I'm by no stretch of the imagination fluent or even highly capable in the language, it has paid off in little ways, even if sometimes that payoff has "just" meant more satisfaction with my life.

Doing the can-can-can: We take what we can, when we can, while we can.

I was definitely living in a bubble those weeks in Montréal--a bubble that floated along with hot-and-cold-running paté, poutine, and brie and pear sandwiches on baguette, no less. While I stayed in the dorms without a TV, I did have a computer and followed the news . . . but chiefly only the Canadian and international news. And other than an occasional foot floating ashore near Vancouver, or a serial killer loose on the prairie, there just isn't the kind of "ripped from the headlines" happenings in our dear neighbor to the north as we are used to down south.

One of the beautiful things about traveling overseas is not being American for a while. Oh, sure, everyone can soon figure it out from the accent, the clothes, the lack of foreign language skills, and the brashness mixed oddly with social conservatism and a general lack of whimsy. But still, a boy can dream of not living in an in-your-face, capitalist-a-go-go empire that, frankly, has seen better days and more interesting shopping and music, n'est-ce pas? I like to, at least. It is perhaps my biggest regret in life, not traveling more and not taking the leap when I was younger to live outside the country. But it's not over yet. Or so I keep telling myself.

The bad: When I finally came home, I found myself in the middle of one of those very American tempests-in-a-tea-party--a national meltdown over the Obama health insurance reform plan. How this mild-mannered, seemingly reasonable-if-imperfect approach to health insurance and healthcare reform could engender such a virulent response is still beyond me. But that it did. For weeks, months on end.

In short, many members of the Leftist-or-Bust Community didn't think it went nearly far enough (no national, single-payer system a la Canada and Britain) and were completely dissatisfied.

The Right Lunatic Fringe (sorry, folks, I see no reason to pull my punches at this late date and even treat that lot as though there were a reasonable point underneath their histrionics) kept screaming that it was "socialism" (to require everyone to have a health insurance plan? really? and mandatory car insurance is what exactly?); that is was fascism (anything that has a "requirement" to spend money on others, I guess, is fascism; "requiring" people not to have access to birth control, abortion, marriage rights, healthcare, etc., is clearly democracy in(space optional)action); that it was an extreme over-reaching of presidential and congressional power (depending on whether you were trying to knock out the POTUS or the Democrat-majority Congress as well); that if the Founding Fathers and John Galt were alive today . . . yadda and yadda and even more yadda.

Let me just sum up my deep thoughts on that last point as succinctly as possible: Who gives a flying fanny about what a bunch of old, upper class white dudes might think about what we're doing today? Times change. Life morphs. While we should recall, understand, and even occasionally pay homage to our history, I think it makes more sense to adapt and to not stay preserved in the amber of the past, whether the past in question is 18th-century Enlightenment or Common Era biblical teachings. If the FF Posse were alive today, I'm sure they would have enough trouble first adjusting to a few other realities: Easy, heavy-duty firepower, New York during rush hour, crystal meth, rap music, and Girls Gone Wild--let alone strict interpretations of the Constitution in order to demonize social betterment.

And who cares who John Galt is? He's a freakin' fictional character crafted (poorly, it should be noted) by a woman embittered by her experiences in Communist Russia and yet who still ended up taking government money when she became infirmed later in life. "Do as I say, not as I do," with really ponderous imagery. Ayn Rand=Newt Gingrich in drag.

Oh, bitch, pleez. Do not use the trials and tribulations of the 1 percent as some sort of voodoo doll, a terrorism-lite way to silence the masses from wanting a little more responsibility and hubris from society's movers/shakers/marauders/bandits.

So, imagine, a dreamlike, wonderful time abroad, a momentary escape from the American day-to-day. Then ding-dong, open the door to your Mystery Date--and he's a dud in the form of some fat cat (or otherwise) alleged "independent" with tea bags dangling from a tri-cornered hat. No thanks, I'll stay single.

We are not amused. And, really, two years later on, it is very, very, very difficult to be amused by any of this--a Wacky Races approach to choosing an opposition candidate and a current administration that seems way too reliant on the Hanna/Barbera-influenced GOP to make the case for no change at the top.

Oh, and let's not forget a very bad economy, one that has seen more mishaps than Wile E. Coyote putting all his money on Acme products performing well on the stock market.

Frankly, I'm disappointed all-around, at both and all sides. Disappointed that we have such poor leadership of all political persuasions (really, thinking back to the "debate" over health insurance reform, I've seen chickens form a more perfect union than the Democrats). Disappointed at the continuing use of fear to manipulate the electorate. Disappointed at the prevalence of massive amounts of cash to subvert the democratic process (or is that now the democratic process? I can honestly not tell).  Disappointed that the same ol' same ol' keeps happening. Disappointed that nothing much seems to happen to make things better. And disappointed that we--you and me both--keep putting up with it. By rights, the Occupy movement ought to have a lot more people in the street, including yours truly.

There's nothing much funny about any of this.

And, yet, laugh we must. At least I must. Because, in part, I'm tired of grinding my teeth, yelling at the TV, and treating despair as a vegetable. The GOP debates alone are a comic delight--at least the Twitter feeds I read about them are. Lordy, I can't bring myself to watch them. Five, seven, ten, twelve, of the most boringly stentorian white people on the planet, North American wing, that seem dogged in their intention to outdo the other in ridiculousness and outrageousness.

SimCity-based tax plans. Ending the college loan program because you believe it is the cause of bloated tuition increases and education debt. Letting those in need die because it goes against your cerebral approach to self-reliance. Closing down government departments even if you can't remember which ones. Citing Christ as putting you on the path to righteousness while you served your cancer-stricken wife with divorce papers. Being a little too weirded out by homosexuality. Existing as the technically semi-human entity known as Michele Bachmann.

Talk about a mangy bunch of chickens.

And yet laugh we musn't because laughing, while a salve, seems also to have a soporific effect. If we laugh too much, are we lulled into a sense of complacency, a feeling that none of this really matters, that in no way can we make a difference and change who owns this country and how it operates?

Meanwhile, people in Syria continue to die in the streets fighting for something better with no known end or outcome in sight . . .

What I've tried to do in blogging is treat it as a place for laughs, yes, but also treat it as a record of my thoughts, observations, and feelings. Amusement is certainly one aspect of my intellectual record, even if that intellectual record includes a few too many cuts on soap operas and pop. Laughing at histrionic politicos, hopped-up pundits, and the conventions of societal belief is certainly cathartic but also hopefully illuminating.

Maybe it's time to put aside my discomfort over getting menacing emails from Western state-based patriots and snarky tweets from Newt Gingrich's boot-lickers (both of which have happened in the past). I promise I'll try not to lose my sense of humor this time. But I will also aim a little higher and smarter at some of our sacred political cows.

A fair warning, though: My aim and my eyesight are not all that good. So sometimes I'll shoot from the lip and hit 'em right between the eyes. At other times, I may use a more shoot from the hip approach and find my target just above or below the belt, give or take.

Thursday, November 17, 2011

Totsiens, Egoli



I finally finished all 18 episodes of Egoli: Place of Gold, the South African soap opera that's been keeping me company since late summer/early fall. I may offer a more detailed wrap-up soon, but this little clip might keep you entertained in the meantime. It might also explain why I enjoyed the show, at least the early episodes, as much as I did.

In this one, Cecile Sinclair (played with gusto by South African actress Sandra Prinsloo) arrives after the reading of the will of her late husband Tom, a man she was in the process of divorcing (and taking to the cleaners) at the time of his death. I'm sketchy on the cause of death and the role of Joanne du Plessis (the redhead, later a blondehead, both played by Chantelle Stander) in the events, but, essentially, Tom leaves his fortune to everyone but Cecile, including his two half-siblings of mixed ethnic heritage (remember, this is early 1990s South Africa, just barely post-Apartheid), the Willemses.

Miserable, Cecile starts to drink, and despite the best efforts of her sisters Nora and Louwna to calm her down, she goes on the attack.

I love the way she belts out, "Like hell!" and "Whore!" with such conviction, in that husky, growling voice. I also like the way she says "twee baster kinders" (or something like that, which translates into "two bastard children"), in part because it sounds even ruder in another language.

OK, so it devolves into a catfight between a "common tart" and "a whore," which represent perhaps two over-invited guests in soap operas. But still, it's fun--verbal and physical, with some--if you'll pardon the expression--balls-to-the-walls action by Mrs. Peacock and Miss Scarlett. In the ballroom with a lead pipe and a champagne flute. And nary a Colonel Mustard or Professor Plum to be found.

Ah, they don't make 'em like that anymore. And if they do, they cancel 'em.

So enjoy. And baie dankie, Egoli. I enjoyed your stay.

Now if I can only get through the movie District 9 and the book The Story of an African Farm, and then maybe write a review of the book Triomf by Marlene Van Niekerk ("saltpeter in literary form" is all I got at the moment), and then make my way through a few more chapters of Teach Yourself Afrikaans, perhaps I can put behind me this phase of South Africana and move on to some other obsession. Or just move to Cape Town.

Whatever "here's hoping" translates to in Afrikaans, that's where I'm at.

* * *

Postscript, 14 December 2013

More than two years after I wrote it, I see this post keeps getting looked at. (Yay, me.) Apparently the search phrase "redhead actress Egoli series" leads people to my little corner shop on the internet. So mystery revealed: The actress is question is Chantell Stander (I've also seen her listed as Chantell(e) Stander Rankin). I don't know if she's active anymore, but she had a long, wonderfully villainous run on Egoli, mainly as the vixeny blonde Kimberly Logan Vorster Shults Du Rand Edwards Flintstone . . .), one of my favorite characters from my limited viewing of the series on DVD.

I've added this information above.

Chantell, if you're out there egosurfing on the web, I hope you're doing well! Thanks for the performances.

Later that day, 5:22 pm

She lives! If you live in South Africa, you can watch Chantell Stander weekdays on the soapie, Villa Rosa.

Being stuck in America, I miss everything.

Tuesday, November 15, 2011

Whoa, nelly

Ripped from the headlines,
Report: Sandusky admits 'horsed around,' but insists he's 'innocent'
Sure, I buy it, Jerry Sandusky! And like any other over-excited stallion, you just couldn't control yourself and "accidentally" and "innocently" anally penetrated a 10-year-old boy. All part of your definition of "horseplay," I'm sure. Who wouldn't buy that?

Jerry, why don't you just shut the fuck up now? You're not doing yourself or your 10-year-old victim(s) any favors by showing your lying, douchebuggery self for the entire world to see.

Monday, November 14, 2011

On the level



More from Namibian girl group, Gal Level. This one is called "Lala."

Another sure sign you're gay? You don't wanna "tap" that booty. (I never understand that phrase. Is her booty like a keg? Then perhaps you shouldn't tap it, at least not without a mop handy.)

Instead, any self-respecting gay man wishes he could shake his booty like that.

To attract the attention of Stefan Ludik, naturally.

Parenthood isn't for sissies

Which is yet another thing I have learned from the neighbors: This sissy most definitely does not want to have children. I'm not even keen on having a pet at this point.

It's never really even crossed my mind actually, except only fleetingly after my father passed away, when I realized that my siblings and I--straight, gay, married, single--had forgotten to have children.

Our parents didn't remind us either, perhaps because they figured that they'd raised four absolutely sane, intelligent, gorgeous, and perfect in every way children, why tempt fate? Besides, it would just be unfair to expect the next generation to be as exemplary as mine. Too, too cruel.

But living downstairs from the terrible twosome (yes, it's been confirmed, there are two of the little abominations screaming, crying, and running above me as we speak) has sealed the deal, shut off the supply line, evaporated the milk, curdled the cream, forced the hens to quit laying, and made the bulls suddenly disinterested in stampeding. So to speak.

Now, in addition to scouting out new digs (and the sooner the better I might add), I spend my free time pondering what technology and distribution mechanisms would be involved in developing the world's first "morning before" pill, a birth control medication so retroactive that even parents of hate-filled, lazy teenagers and ungrateful, malcontented, too-much-analysis-for-their-own-good young adults would be willing to pay millions to score.

I wouldn't necessarily stop them, of course, but my target is the five-and-under market. And at the moment, specifically two members of the five-and-under set.

Sunday, November 13, 2011

Can I get some?



For your viewing and listening pleasure, "Black Girl, White Boy" by Ludik and Gal Level.

Stefan Ludik is a Namibian-born-and-raised actor, singer, and media personality, well known in southern Africa (the obsession continues . . .) as a contestant on the regional edition of Big Brother, for various TV acting gigs, and at least three music albums, two in Afrikaans, one in English.

This little ditty comes from his latest release, Burn This Town, which is apparently not available north of the Equator--even though one of his Afrikaans-language albums is. But, oh, I'll keep trying . . .

I like the song--very catchy, very sensual, very melodic--but along with the song and the production, I like the provocative message. Here is a song and a video featuring an ode to interracial sex and love, produced in a country that barely 20 years ago rejected a severely encoded and enforced policy of racial segregation. Amazing in one sense how short a time it's been. Amazing in another sense of what took them so long? It's not like sex and love between people of different ethnicities hasn't been known in southern Africa since Jan van Riebeeck's arrival at Cape Town in 1652 . . .

Nevertheless, do feel free to take a moment to look around your own world and see how well you and your fellow citizens have dealt with integration in your workplace and neighborhood, let alone your living room and your bedroom.

I don't know too much about either Stefan Ludik or Namibian "girl group" Gal Level. However, you might find of interest Mr. Ludik's personal website, available here.

While I think Mr. Ludik's music is definitely proof that Namibia's got talent, our dear Stefan has also made an impression in the past with his appealing visuals. And while I generally frown upon making a fuss over men who display their abs in public (especially their undoubtedly waxed abs), I am willing to reconsider this prejudice for the sake of supporting Stefan's art.

That's just the kind of guy I am, Ludik. Ring me up sometime, and we'll chat up the matter further. In Afrikaans or English . . . or another tongue of your choosing.

Sunday, November 06, 2011

Montag needs a moment

All is well, dear readers! I'm just on vacation, a desperately needed, nice 'n' quiet, limited internet access vacation.

I'll be back in the land of the snarky before you can wish Kim Kardashian well on her next marriage/reality show adventure. Or Justin Bieber, Happy Father's Day.

Count on it. But you won't need to count as high as 72.

Monday, October 31, 2011

Montag had a little lamb

My really simple lamb chop recipe:
  • Try to find some lamb chops at the grocery store. I dare you! Sometimes they actually sell them in the U.S.!
  • Pick ones with some meat on the bone, not just bone.
  • Heat up a grill pan on the stove, giving the surface a light coating of olive oil PAM or another cooking spray.
  • Place the chops on a plate and sprinkle them with red wine vinegar, Montreal steak seasoning (or a lot of freshly ground pepper and a little salt), and (preferably fresh) rosemary leaves.
  • Plop 'em on the pan and grill to desired color on the inside. I like mine with a little pink. Hopefully, that's not a health code violation.
  • You may want to re-marinate the cooking chops every now and again with some red wine vinegar.
  • Add a salad, some green beans, some roasted Brussels sprouts, or whatever green vegetable that hasn't rotted in your refrigerator.
Et voilà, dinner for yourself, or maybe more, if you're feeling generous.

This is my version of a Rachel Ray recipe, so Snappy, et al., do forgive me. She approaches sirloins in this manner, substituting balsamic vinegar or Worcestershire sauce for the red wine vinegar.

I find that's too overwhelming of a flavor for lamb, which has its own unique and delicious taste. Red wine vinegar is a little milder and adds to the dish, instead of covering it up. Even the Montreal steak seasoning (which I adore and would marry if it were legal in this state) can come on strong for poor little lamb. So freshly ground pepper and rosemary work just fine. I even skip the salt--there's enough flavor going on already.

Now if I can figure out the Glass Artist's stuffed cubanelle peppers and sauce recipe, I should be good to go for the main courses for the opening night menu at Chez Montag.

Bon appétit--with reservations!